giovedì 26 novembre 2009
Il percento per l’arte in Emilia-Romagna - presentazione volume e mostra fotografica.
a cura di
Claudia Collina, Carlo Tovoli, Andrea Zanelli
Fotografie di Andrea Scardova
Urban Center Bologna - Sala Borsa
3 dicembre 2009 - 16 gennaio 2010
Giovedì 3 dicembre 2009
ore 18
Urban Center Bologna
La S.V. è invitata alla presentazione del volume Il percento per l’arte in Emilia-Romagna La legge del 29 luglio 1949 n.717: applicazioni ed evoluzioni del 2% sul territorio a cura di Claudia Collina Collana ER Musei e Territorio - Dossier n.5,Editrice Compositori, 2009.
Intervengono:
Flavio Delbono
Sindaco di Bologna
Gian Carlo Muzzarelli
Assessore regionale alla programmazione e sviluppo territoriale, cooperazione col sistema delle autonomie, organizzazione
Ezio Raimondi
Presidente dell’IBC
Luigi Ficacci
Soprintendente ai Beni Artistici
e Storici per le Provincie di Bo-Fe-Ra-Fc-Rn
Nel corso della presentazione sarà illustrata la banca dati sul censimento del patrimonio artistico nei luoghi dell’Emilia‑Romagna in cui è stata applicata la legge del 2% a seguire Inaugurazione della mostra fotografica.
Orari
lunedì: 14.30 - 20
da martedì a venerdì: 10 - 20, sabato: 10 - 19
chiuso festivi, 7 dicembre e 2 gennaio 2010 | 23 e 31 dicembre apertura fino alle 14.30
http://www.ibc.regione.emilia-romagna.it/wcm/ibc/menu/dx/07parliamo/storico/Percento.htm
http://bbcc.ibc.regione.emilia-romagna.it/samira/v2fe/loadcard.do?id_card=124933&force=1
domenica 15 novembre 2009
"Akt, csajok"
26 November 2009 - 9 Jenuary 2010
at VÁRFOK GALLERY'S VÁRFOK HALL.
Vernissage 26 November 6 p.m.
http://www.varfok-galeria.hu/admin/modules/kep/pict/original/5821.jpg
Group exhibition.
The new exhibiton to open on November 26th in Várfok Gallery’s Várfok Hall is going to be a special one for the group show will have the female nude as topic. Six artists of Várfok Gallery and one from Spiritusz Gallery, Sara Berti, will exhibit their works in Várfok Hall.
Walking among these paintings reflecting on the female body, one can discover different approaches to art nude and get an insight how this classical genre - disposing of a past of thousands of years - finds its place in the artists’ oeuvre.
While previously art nude was characterized by a sculpture-like unity and by perfectness, it can be defined now more as a subjective thought about the body, which is often shattered, imperfect: the artist’s inner world, his/her personal experiences and reflections on the world and on society break up and blow up the classical form. At the present exhibition aatoth franyo’s frivol, red based work reflecting ironically on female gender, Sara Berti’s abstract torsos with force-lines, János Szirtes’ archaical carbon body-imprints referring to cultical rituals of ancient triebs, Ray Monde’s sensual paintings or Zsuzsi Csiszér’s works delineating the sexuality of female body - all these works are different conceptions and individual approaches to art nude. Just as László Győrffy’s shocking graphic work, which may mostly express the substantive change of modern art nude, where the material-like part of the body, its biological functions are illustrated too, emphasizing the thought that the nakedness of the body doesn’t finish by its surface. On the contrary, in Levente Herman’s painting a nostalgical desire for the traditional representation of art nude can be felt as he dresses this genre up in classical clothes weaving together the world of the 20’s and of antique amphoras, referring to the origins of the art nude.
at VÁRFOK GALLERY'S VÁRFOK HALL.
Vernissage 26 November 6 p.m.
http://www.varfok-galeria.hu/admin/modules/kep/pict/original/5821.jpg
Group exhibition.
The new exhibiton to open on November 26th in Várfok Gallery’s Várfok Hall is going to be a special one for the group show will have the female nude as topic. Six artists of Várfok Gallery and one from Spiritusz Gallery, Sara Berti, will exhibit their works in Várfok Hall.
Walking among these paintings reflecting on the female body, one can discover different approaches to art nude and get an insight how this classical genre - disposing of a past of thousands of years - finds its place in the artists’ oeuvre.
While previously art nude was characterized by a sculpture-like unity and by perfectness, it can be defined now more as a subjective thought about the body, which is often shattered, imperfect: the artist’s inner world, his/her personal experiences and reflections on the world and on society break up and blow up the classical form. At the present exhibition aatoth franyo’s frivol, red based work reflecting ironically on female gender, Sara Berti’s abstract torsos with force-lines, János Szirtes’ archaical carbon body-imprints referring to cultical rituals of ancient triebs, Ray Monde’s sensual paintings or Zsuzsi Csiszér’s works delineating the sexuality of female body - all these works are different conceptions and individual approaches to art nude. Just as László Győrffy’s shocking graphic work, which may mostly express the substantive change of modern art nude, where the material-like part of the body, its biological functions are illustrated too, emphasizing the thought that the nakedness of the body doesn’t finish by its surface. On the contrary, in Levente Herman’s painting a nostalgical desire for the traditional representation of art nude can be felt as he dresses this genre up in classical clothes weaving together the world of the 20’s and of antique amphoras, referring to the origins of the art nude.
BUDAPEST ART FAIR 2009
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